Fionnuala McHugh
It is not the first biography of China’s Puyi, but Paul French’s latest book brings with it a feminine voice of modernity and fully exploits its place in the ‘doomed-monarchy’ sub-genre.
Huge works star at Ai’s largest ever site-specific show, while July 3 and 4 saw a 24-hour live performance of his 2011 detention in China.
Michelle Garnaut, founder of M at the Fringe in Hong Kong, has launched a festival in France blending literature, music and community spirit.
In his nineties, Frank Bowling defies age with his vibrant abstract art, as seen in his new Hong Kong exhibition, his first solo show in East Asia.
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The UK-based writer, whose Goodbye Chinatown follows a food-centric family between Hong Kong and London, talks about how places change people.
How do you make a cultural district out of a dumping ground for fridges? Ask the artistic director of Sadler’s Wells theatre in London.
Ahead of his Hong Kong International Literary Festival appearance, Ghosh talks about his new book Ghost-Eye and re-reading earlier works.
Two galleries recently opened in central London with a focus on decolonisation, showcasing artists and works from Asia and Africa.
PostMag writer Fionnuala McHugh has lived a life free of clutter – and feels all the better for it.
In the early noughties, he sold Hongkongers on the beauty of combining old and new, despite their resistance to second-hand goods.
Sarah Howe’s new collection comes a decade after her TS Eliot Prize win as a young part-Chinese female was met with racism and misogyny.
Hong Kong Ballet and Company Wayne McGregor joined forces for a spectacular marriage of dance and tech at the Biennale Danza in Venice.
Once doubtful this city had architectural lessons to offer, Yim now reflects on his own projects that have shaped Hong Kong’s skyline.
In Penalties of Empire, Christopher Munn explores the debates around key capital trials in colonial Hong Kong.
Conductor Laurence Equilbey and her Insula Orchestra will perform Beethoven Wars: A Battle for Peace at the Hong Kong Arts Festival in March.
Meiji-era prostitutes, whose names are etched in stone, find a voice in a new book by Georgina Challen and Yoshiko Nakano.
Peter Harris fell in love with the building on his first stay there 20 years ago, when he was on holiday with his family.
How two ‘foreigners’ came to make a film about the last days of Kwu Tung, from its soy sauce factories to village house demolition.
Grace Wu, the world’s No 1 Ming furniture expert, traces her journey ahead of her upcoming exhibition at Christie’s Hong Kong.
Currently showing at Hauser & Wirth in Hong Kong, acclaimed artist Mark Bradford made a Los Angeles-style mural with Sham Shui Po students.
When The Fabrick Lab founder was tapped to create an art piece for The Macallan House Hong Kong, she found one crucial connection: colour
Marsh miasma, barrack fever, Hongkong Fever – colonisers called the disease that struck as they built their new town on the north shore of Hong Kong Island by a variety of names. It’s the subject of a new book.
David Bellis, founder of Gwulo.com, a digital repository of expat memories, talks about documenting Hong Kong and moving to Wales, ahead of his upcoming farewell talk at the Royal Geographical Society.
Named orchestra of the year in 2019, HK Phil planned a tour to capitalise on the accolade, but the Covid-19 pandemic delayed it. Five years later it finally set off. Post Magazine went along for the ride.
A Hong Kong art gallery owner’s hilltop family home in the New Territories is a kaleidoscope of vibrant, fun artworks – every room inspires creativity and tells a different story.
American visual artist Sarah Morris’ new film ‘ETC’ – which is being screened on the facade of M+ until March 17 – displays her unique artistic language in offering an outsider’s depiction of Hong Kong.
Everyday food items reproduced faithfully in oil paints but placed in settings you wouldn’t expect – in a dragon boat, on a street – mark still-life artist Chang Ya-chin’s work, on show in Hong Kong.
Jennifer Lee co-wrote and co-directed Frozen and Frozen 2. While in Hong Kong for the opening of Disneyland’s World of Frozen, she shared her thoughts.
Holding his second solo exhibition in Hong Kong, at David Zwirner, German artist Neo Rauch talks about his spat with art historian Wolfgang Ullrich and gaining control of his paintings’ characters.
