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How Hong Kong’s zine-making movement is helping people heal and be heard

At workshops and festivals, some are embracing DIY publishing as a slower, more human way to find connection and tell their stories

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A zine in progress by singer-songwriter Cheryl Chow, aka Cehryl. Photo: Jocelyn Tam
Salomé Grouard

For Maria Nemy Lou Rocio, a Filipino domestic helper who has been journaling since the age of six, writing has always been her refuge. “From best to worst, writing truly carried me through life,” she says. “It helped me process being abused by my adoptive family, excitedly document my first crushes, face suicidal despair when I wrote my ‘last letter’ …”

In 2017, when she moved to Hong Kong, a city that often reduces Rocio and her peers to their jobs as domestic helpers, she decided to channel her creative process into healing her community, weaving their stories into her own brand of fanzines.

“I wanted my community to benefit from the amazing tool that is writing, to feel empowered by it, and to share it with the world,” she says. “Zines happened to be the perfect medium. They’re a cheap, accessible, blank canvas without any rules. Whether poems, raw thoughts, collages or drawings, they offer a complete and creative outlet for expressing emotions and sharing them with the world.”

Cehryl Chow, pictured in Sheung Wan, Hong Kong, says she likes the DIY ethic of zines. Photo: Jocelyn Tam
Cehryl Chow, pictured in Sheung Wan, Hong Kong, says she likes the DIY ethic of zines. Photo: Jocelyn Tam
The punk cousin of scrapbooks and junk journals, zines are DIY publications produced in limited batches by writers and artists, and are usually devoted to specialised or unconventional subjects. Historically, they have been the lifeblood of subcultures, providing a sense of community for the socially isolated.

At Migrant Writers of Hong Kong, an association co-founded by Rocio in 2021, domestic workers learn the art of zine making through workshops hosted with Beatrix Pang Sin-kwok, a Hong Kong visual artist and co-founder of publishing collective Zine Coop. The process begins with the hardest step: giving words to emotions. This can mean poems for families back home, letters to employers heavy with unspoken truths and diaries recounting the emotional toll their job takes on them.

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