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Joe Wong, Ronny Chieng and the rise of Asian voices in comedy

Asian comedians were once forced to resort to stereotypes to find a platform – but a wave of pioneering stars is changing that

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Joe Wong poses for a portrait after his Joe Wong: The Twin Tariff Show in Hong Kong. Photo: Alexander Mak
Sarah Keenlyside
It’s May 2024 and Joe Wong – bespectacled and dressed in an outfit casual enough for a grocery run – bounds onto a stage on New York’s Upper East Side. Before he tells his first joke, he notices a phone raised in the front row. “Oh, you’re taking pictures?” he asks. With exquisite comic timing, he strikes the one pose guaranteed to land: a rigid smile, frozen in place, flashing the Asian V-sign.

The crowd erupts, and he’s off.

“I’m an immigrant parent,” he begins after the laughter dies down. “They say that two wrongs don’t make a right, but two illegals can make a legal …”

Who's Your Asian Daddy? A Full Special by Joe Wong

The Jilin-born comedian moved to the United States at 24, carving out a career in one of the hardest fields for a non-native speaker, let alone a Chinese man in America. Doing stand-up in a second language demands the cerebral dexterity of conducting a symphony from memory. It also requires navigating nuance, cultural complexity and the risk that one misjudged punchline could get you cancelled faster than J.K. Rowling at a gender studies conference.

In recent years, Wong, 55, has found himself part of a broader shift. He’s one of a growing number of Asian comedians making their mark on Western stages and sharing their perspectives. From Ali Wong and Ronny Chieng to Jimmy O. Yang, Atsuko Okatsuka and Sheng Wang, Asian comics are no longer niche. They are highly bankable and decidedly mainstream.
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