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Opinion
How Chinese mythology and folklore are captivating the world
Drawing on ancient myths, China’s film and gaming industry is offering the world refreshing alternatives to the traditional Western canon
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Jianlu Bi is a senior fellow at the Foreign Policy in Focus think tank at the Institute for Policy Studies in Washington, DC, and a research fellow at the Charhar Institute in Beijing.
As Chinese mythology explodes on the world stage, it is poised to redefine the global entertainment market. From this year’s animated film Nezha 2 becoming the first non-Hollywood production to rake in US$1 billion at the box office, to Black Myth: Wukong’s cross-cultural appeal in the gaming world, centuries-old stories are captivating audiences like never before.
This surge in popularity reflects both a growing hunger for diverse narratives and a fascination with cultures beyond the traditional Western canon.
Nezha 2 is more than a domestic success. Tickets for shows in North American cities such as Toronto quickly sold out. Many cinemas in Los Angeles and New York added midnight screenings to meet demand, according to That’s Shanghai. International media and audiences have lauded the film, with critics praising its stunning animation, compelling storytelling and impressive visual effects.
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