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Icons & Influencers

Painter Eunnam Hong explores identity through haunting self-portraits

STORYPayal Uttam
This woman’s mukbang (2024) by Brooklyn-based Korean artist Eunnam Hong shows a mysterious woman with flamboyantly curled hair that appears in much of her work – a woman that is in fact the artist herself, in costume. Photo: Kunning Huang
This woman’s mukbang (2024) by Brooklyn-based Korean artist Eunnam Hong shows a mysterious woman with flamboyantly curled hair that appears in much of her work – a woman that is in fact the artist herself, in costume. Photo: Kunning Huang
Art

The New York-based Korean artist cites filmmakers Wong Kar-wai, John Cassavetes and Hong Sang-soo, and painter Elizabeth Peyton as inspirations

As art fever sweeps Hong Kong this weekend with Art Basel, we celebrate three rising female painters from around the world who are redefining figurative art with their signature works.

Brooklyn-based Korean artist Eunnam Hong creates meticulous paintings of a mysterious, slender woman with a mop of voluminous curls who appears to be frozen in time. At times, this lanky figure lies asleep or hunched over a table alone. In other cases, multiple replicas of the woman crowd the canvas.

Control (2024). Photo: Kunning Huang
Control (2024). Photo: Kunning Huang
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