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Taiwan vs South Korean art biennale: inside the fierce political row over pavilion name

Gwangju Biennale’s refusal to name the Taiwanese art showcase the ‘Taiwan Pavilion’ has sparked accusations of political censorship

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A view of the Gwangju Biennale Exhibition Hall during the biennale’s 15th edition in 2024. A row has erupted between Taiwan and the Gwangju Biennale over the naming of a pavilion, sparking accusations of political censorship. Photo: courtesy of Gwangju Biennale
Enid Tsui

A fierce row has erupted between Taiwan and South Korea’s Gwangju Biennale, Asia’s oldest contemporary art biennial, after the self-ruled island complained that its art showcase at this year’s event, which opens on September 5, is not being promoted as the “Taiwan Pavilion”.

Instead, it is being promoted as the “NTMoFA Pavilion” – based on the participation of the National Taiwan Museum of Fine Arts – sparking accusations of political censorship.

The clash underscores the political nature of international art exhibitions and raises critical questions about how organisers can navigate realpolitik amid rising geopolitical tension.

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